The Subtle Art Of Tells
We hear it all the time: show, don’t tell. And most of the time, that’s solid advice. But there are occasions where a tell is necessary, or just a better idea: for the sake of brevity, backstory, worldbuilding, your series theme song, that sort of thing.
The way to do tells is to weave them in as seamlessly and naturally as possible. They should be ninja, dropping information into your readers’ minds without anyone being the wiser.
Why? Because an obvious tell can feel forced, pedantic, and fake. A really bad one hits the brakes on the whole story, throwing the reader clear.
So, what are some ways of doing tells well?
- Keep them brief and rare. Paragraphs and chapters full of tell are really bad. If you have a lot of worldbuilding to do, spread it out in dribs and drabs. Let those details pop up when it makes sense for them to do so.
- Don’t hit the brakes on your narration in order to tell. Sometimes this is done as part of an intro– or a character may go to a library, and we’re privy to every single word he reads while there. This usually sucks, because it leaves the story hanging. Breaks like these are why I’ll never read Solaris again, even though I really liked the premise.
- Do your best to integrate the tell into the story. An example: in Star Wars, Luke Skywalker and others rebel pilots are briefed on the plan to blow up the Death Star. There’s a lot of “tell” there about the Death Star design that would’ve been way too hard to show with the visual effects of the time. This tell also advances the story, rather than calling timeout on it.
- Be careful with tell done through dialogue. A good rule of thumb is to avoid dialogue that begins with “You know.” “You know, Bob, your sister’s an accomplished scientist in her own right.” If the other character already knows, then there’s no reason for the speaker to say it, except to provide backstory to the reader. It feels phony. Never have characters explain things to each other that they should already know!
- Leave a little mystery if so inclined. The tell doesn’t have to be all-inclusive. If your tell raises more questions than it answers, then readers will want to keep reading for those answers. Just be sure to provide answers eventually, in a satisfying manner!
What are your favorite tricks for tells? Drop me a line in the comments and let me know!