{"id":1235,"date":"2015-06-08T12:48:53","date_gmt":"2015-06-08T17:48:53","guid":{"rendered":"http:\/\/ellismorning.com\/blog\/?p=1235"},"modified":"2015-06-08T12:50:58","modified_gmt":"2015-06-08T17:50:58","slug":"start-as-close-to-the-end-as-possible","status":"publish","type":"post","link":"https:\/\/ellismorning.com\/blog\/2015\/06\/start-as-close-to-the-end-as-possible\/","title":{"rendered":"“Start As Close To The End As Possible”"},"content":{"rendered":"

\"deadend\"<\/a><\/p>\n

Scattered across the Internet, you’ll find a set of “fiction” or “short story” rules<\/a> (depending on the source) attributed to Kurt Vonnegut, one of my favorite writers.\u00a0My own judgment is that they’re more useful for short fiction than long, because they’re mostly geared toward getting to the point and not wasting the reader’s time. Of course that’s important in any fiction, but for a short story, it’s crucial.<\/em><\/p>\n

I happen to be plunking at a couple of short stories at the moment as I await feedback on the latest draft of Blood’s Force<\/em><\/a>. Of Vonnegut’s 8 rules, number 5 helped me out a lot this week:<\/p>\n

5. Start as close to the end as possible.<\/strong><\/p>\n

I intend for one of the short stories to be a prequel of Blood’s Force<\/em>– but for the past few years, I’ve been in long-fiction mode. So as I outlined this thing, I made plenty of room in the front for a slow buildup, establishing world and character. I still had no good idea of a starting place or line, but figured that’d work itself as I drafted.<\/p>\n

And then I sat down to draft… and I didn’t want to<\/em>. I was dreading it.<\/p>\n

Uh-oh, that was my spider-sense<\/a> tingling! That meant something<\/em> was wrong with my approach. But what? What could I change to make myself more interested in this thing?<\/p>\n

It took a day or two of thought. Maybe if I have a really creative opening? OK, but what? I’m stuck <\/em>there now. Hang on, is there any scene in this outline I <\/em>do<\/span> want to write? Otherwise, I should just scrap the darn thing and start over.<\/em><\/p>\n

It turned out, yes, there was this scene near the middle that intrigued me.<\/p>\n

Then, right before bed one night, it hit me: START THERE.<\/strong> Like Kurt said. Ditch the slow build and start one scene shy of the climax. Weave in establishing details as the action happens. Give a taste<\/em> of the world, don’t try to explain<\/em> it. That’s what the books are for.<\/p>\n

This approach struck me as more intriguing, and more challenging. I’ll be trying it out and seeing what happens!<\/p>\n

Just a quick example of my thought process when I get stuck. I hope it might help someone else. :)<\/p>\n


\n